C.V.

Painter, critic, and editor based in New York City. Currently serving as the Associate Editor of The New Criterion.

EDUCATION

• B.A.  Dartmouth College (Studio Art, English Literature), Magna Cum Laude/Phi Beta Kappa, Hanover, NH. June 2017

WORK EXPERIENCE

• Associate Editor, The New Criterion. Jun 2018–Present
• Hilton Kramer Fellow in Criticism, The New Criterion.  Jun 2017–Jun 2018
• Teaching Intern, Studio Art Course, Advanced Studies Program, St. Paul’s School, Concord, NH.  Jun 2016–Aug 2016

GROUP EXHIBITIONS

• 28th Annual Bowery Gallery Juried Exhibition, curated by Ro Lohin; Bowery Gallery, New York, NY, August 2019
• 2019 Summer Juried Show, curated by Eric Aho & Rachel Portesi; Blue Mountain Gallery, New York, NY, August 2019
  
• Juried Exhibition, curated by Elisa Jensen; Blue Mountain Gallery, New York, NY. January 2019
• Winter Juried Exhibition; Greenpoint Gallery, Brooklyn, NY. December 2017
• 2017 Senior Majors Exhibition; Dartmouth College, Hanover, NH. May 2017
• Permanent Commission; Campus of Dartmouth College, Hanover, NH. May 2017
• Permanent Commission; Campus of Gilman School, Baltimore, MD. May 2013

WRITING

• “‘Soutine / De Kooning: Conversations in Paint’ Review: Discordant Dialogue’,” The Wall Street Journal, 29 April. 2021. Print.
• “Old Masters, new look” (review of updated  European paintings galleries at the Metropolitan Museum of Art, New York) The Spectator (U.S. Edition),  February 2021. Print.
• “Exhibition note” (on “Frank Auerbach: Selected Works, 1978–2016” at Luhring Augustine, Chelsea), The New Criterion, January 2021. Print.
• “Albert Pinkham Ryder: isolato of the brush,” The New Criterion, December 2020. Print.
• “Culture and anarchy: Félix Fénéon, terrorist and connoisseur” (review of Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond at the Museum of Modern Art, New York) The Spectator (U.S. Edition),  November 2020. Print.
• “Still painting after all these years” (review of Paul Resika: Eight Decades of Painting) The Spectator (U.S. Edition),  October 2020. Print.
• “An interview with Jim Condron,” The New Criterion, 15 September 2020. Web.
• “Porter and pals at the Parrish,” The New Criterion, 11 September 2020. Web.
• “Liberty and death: Jacob Lawrence’s struggle for freedom,” The Spectator (U.S. Edition),  3 September 2020. Print.
• “A moment for myth” (On “Kyle Staver” at Zurcher Gallery), The New Criterion, 17 July 2020. Web.
• “The Staying Inside Guide: Views into Art History,” The Wall Street Journal, 17 June 2020. Web.
• “Exhibition note” (on ‘Gerhard Richter: Painting After All’ at the Met Breuer), The New Criterion, 1 May 2020. Print.
• “Fried and battered (On Roger Fry and the Metropolitan Museum of Art),” The New Criterion, 21 April 2020. Web.
• “Facing Lucian Freud,” The New Criterion, 1 April 2020. Print.
• “Guides to Maine on the ides of March,” The New Criterion, 15 March 2020. Web.
• “The real McCoy: in memory of McCoy Tyner,” The Spectator (U.S. Edition),  9 March 2020. Web.
• “Pat Passlof’s touch of the Brush,” The New Criterion, 17 January 2020. Web.
• “The soft power of Italian jazz: Eat to the beat,” The Spectator (U.S. Edition),  10 January 2020. Print.
• “A perfect pairing: new Nabi art at the Phillips,” The New Criterion, 1 December 2019. Print.
• “‘William Bailey: Looking Through Time’ Review: Realism Reimagined’,” The Wall Street Journal, 17 Sept. 2019. Print.
• “Exhibition note” (on ‘Abstract Climates: Helen Frankenthaler in Provincetown’ at the Parrish Art Museum), The New Criterion, 1 October 2019. Print.
• “Monsters & manifestos,” The New Criterion, 1 June 2019. Print.
• “Sangram Majumdar’s sleights of hand,” The New Criterion, 3 April 2019. Web.
• “Enrico Riley’s cycled histories,” The New Criterion, 12 March 2019. Web.
• “Eleanor Ray at Nicelle Beauchene Gallery,” The New Criterion, 23 January 2019. Web.
• “William Monaghan at the CAC New Orleans,” The New Criterion, 4 January 2019. Web.
• “Dickinson alive in Philadelphia,” The New Criterion, 1 December 2018. Print.
• “Exhibition note” (on ‘George Shaw: A Corner of a Foreign Field,’ at the Yale Center for British Art), The New Criterion, 1 November 2018. Print.
• “Hank Mobley, the greatest sax player you never heard,” The Spectator (U.S. Edition),  3 Sept. 2018. Web.
  
• “Klimt and Schiele at the Neue Galerie,” The New Criterion, 2 Aug. 2018. Web.
• “Exhibition note” (on ‘Chaim Soutine: Flesh’ at the Jewish Museum), The New Criterion, 1 June 2018. Print.
• “Exhibition note” (on ‘Public Parks, Private Gardens: Paris to Provence’ at the Metropolitan Museum of Art), The New Criterion, 1 May 2018. Print.
• “Excess devoured: Steve DiBenedetto at Derek Eller,” artcritical, 6 Apr. 2018. Web.
• “Albers opens eyes to Mexico,” The New Criterion, 1 Feb. 2018. Print.
• “Murillo’s strange conceits,” The New Criterion, 1 Dec. 2017. Print.
• “Josephine Halvorson’s trees,” The New Criterion, 17 Nov. 2017. Web.
• “Peter Doig at Michael Werner Gallery,” The New Criterion, 17 Oct. 2017. Web.
• “The Great War: seen and felt.” The New Criterion, 3 Aug. 2017. Web.
• “Susan Lichtman at Steven Harvey Fine Arts Projects.” The New Criterion, 11 July 2017. Web.
• “Matisse & Diebenkorn at the Baltimore Museum of Art.” The New Criterion, 24 Jan. 2017. Web.
• “‘American Visions’ at the Montclair Art Museum.” The New Criterion, 4 Mar. 2016. Web.
• “Outsider Art at the Metropolitan Pavilion.” The New Criterion, 22 Jan. 2016. Web.

AWARDS

• Marcus Heiman-Martin R. Rosenthal ’56 Award, Dartmouth College May 2017
• Office of Residential Life Purchase Award, Dartmouth College May 2017
• Harold Holmes Wrenn Art Prize, Gilman School May 2017
• Faculty Award, Gilman School May 2017
• Dorothy Benjamin Caruso Music Award, Gilman School May 2012